Marilyn Monroe historian slams Netflix's 'Blonde,' says movie is 'the definition of exploitation'
Marilyn Monroe historian Scott Fortner is considered one of many who’re slamming Netflix’s controversial Marilyn Monroe film.
The NC-17 flick, an adaption of Joyce Carol Oates’ 2000 novel, is a fictionalized tackle the real-life actress and the wrestle she endured throughout her transient life. The drama, directed by Andrew Dominik, stars Ana de Armas as Monroe. “Blonde” turned out there for streaming on Sept. 28.
Whereas the movie obtained a rapturous reception on the Venice Movie Competition, it has been largely panned by each movie critics and Monroe followers since its launch. Many have stated it exploits Monroe, who handed away in 1962 at age 36.
“As a Marilyn Monroe historian, it’s very disappointing that author Joyce Carol Oates and director Andrew Dominik have gone to such great lengths to victimize Hollywood’s most famous and beloved icon,” Fortner informed Fox Information Digital.
“’Blonde’ is a fairytale that straddles a really skinny line between actual events in Marilyn Monroe’s life and the false narrative Oates fabricated for her novel,” he stated. “In this film, Andrew Dominik has gone even further with graphic, grotesque and disturbing adaptations of the chapters in the book. It is the definition of exploitation. And worse, it is the assassination of a woman who isn’t even here to defend herself and clarify definitively what’s true and what’s false.”
Fortner is taken into account an authority on Monroe and assists main public sale corporations in authenticating and verifying memorabilia. He owns the world’s largest non-public assortment of Monroe’s private possessions, which he shares on each his web site and social media. Most not too long ago, he’s launching a podcast titled, “All Things Marilyn,” which can goal to discover Monroe’s profession and legacy based mostly on conversations with notable specialists.
“Above all else, viewers must note that ‘Blonde’ was not a biography about Marilyn Monroe nor is this Netflix film a biopic,” he stated. “Nearly every scene in the film portrays a mistruth or fabricated event. It does not tell the true story of Marilyn Monroe.”
Fortner has additionally taken to his web site to publish an in-depth assessment after watching “Blonde.” In it, he criticized the movie’s quite a few inaccuracies on Monroe’s life, which he stated are introduced as truth.
Like Fortner, Emily Ratajkowski took to social media to share her emotions about “Blonde.” The mannequin, 31, admitted that she has but to see the movie. Nevertheless, the conversations surrounding it have compelled her to talk out.
“I’m not surprised to hear it’s yet another movie fetishizing female pain even in death,” stated Ratajkowski. “We do that in many, many different ways, but I want that to change.”
Ratajkowski in contrast Monroe’s remedy by the media to different modern-day stars who’ve suffered within the public eye.
“Look at Amy Winehouse, look at Britney Spears, look at the way we obsess over [Princess] Diana’s death,” she shared.
Adrien Brody, who starred in “Blonde,” defended the venture, insisting it was “supposed to be a traumatic experience.” The Oscar winner informed the Hollywood Reporter that each the movie and the guide that it was impressed by are “rife with themes of exploitation and trauma” as a result of “Marilyn’s life, unfortunately, was full of that.”
“I think that since [the film is] told in this first-person perspective, it works somehow for the film to be a traumatic experience because you’re inside of her — her journey and her longings and her isolation — amidst all of this adulation,” stated the 49-year-old. “It’s brave, and it takes a while to digest. And I think it’s in conflict with what the public’s perception of her life is.”
Monroe’s official Instagram web page has devoted its most up-to-date posts to her accomplishments as a star.
“Throughout Marilyn’s life, she never stopped aiming to better herself and her career,” one submit learn. “She studied under many coaches and was always eager to develop her talent.”
“Marilyn dedicated her life to acting,” revealed one other. “Once she got into the movie business, she got acting lessons and advice to help her succeed.”
Dominik, who has learn lots of the critiques, stated that “Blonde” is meant to be “a horror film.”
In his submit, Fortner famous that the grotesque inaccuracies of “Blonde” make it a real horror present even for these unfamiliar with Monroe’s journey past the massive display screen. Slightly than exploring a fancy life that included each triumphs and tragedies, it solely created a poor caricature of a star mocked a long time after her dying.
“In a 1960 interview with journalist Georges Belmont, Marilyn said, ‘The true things rarely get into circulation. It’s usually the false things.’” Fortner pointed out. “’Blonde’ is utterly atrocious, misogynistic and a fail in every sense of the word. My only hope is that it is perceived by viewers as so incredibly ridiculous, salacious and horrifying that the general public will switch it off and assume it couldn’t possibly be an accurate representation of the most famous blonde of all time.”
“We should all take comfort in knowing Marilyn Monroe is not here to witness this,” he added.